General purposes Dancing therapists select at least five purposes of occupations W bunch. One of them is the extension of an orb of realisation by team members of a characteristic skew field, its usage and possibilities, that not only increases physical and emotional health, but also 4 the majority of is Gud operating people is 2 for entertainment. In the occupation beginning the dancing therapist watches and evaluates strong and weaknesses of repertoire of movements of participants, then determines, what ingredients to change or develop, what movements and as it is better to make. To the majority of us some help 4 magnification of muscles is necessary only, to co-ordination of movements, reduction of rigidity and energy augmentation. The bunches constituted from psihotichnyh or autichnyh of children, can require the livelier help, for example, in such cores physical, motor operations, as walking, run, skews, leaps. The second purpose of dancing therapy is rise of a self-rating by a path of development of more positive mode of a skew field. Individuals W gross infringements can be incapable to differentiate the skew fields as the objects selected among other objects. In such bunches dancing therapy uses to create a safety solid mode. Solid therapy helps with the majority of other bunches to developing of more attractive mode of a skew field which one is endways connected W more positively "I".
Thirdly, dancing therapy uses 4 perfecting by means of the formation experience of social abilities of those patients which one require training of the elementary social skills. Psiho-tichnye patients, in particular, cannot intelligently reporting ABT the emotional needs. Dancing therapy in these cases represents rather safety resource of successful link W others during instruction to socially comprehensible behaviour. In bunches of healthy people dancing therapy gives the chance to establish creative connection with others, overcoming barriers and conditionalities of words. The fourth purpose - coercion of terms of bunches in contact to their senses by a system log-on of senses W movements. Creative dance is indicative, he allows to release the depressed senses and to research blended conflictings which one can be a radiant of mental power (Rosen, 1974). Here the psychodynamic concept katarsisa propagates on dance in which one movements result in to expressional therapeutic remission of constrained senses. In add-on 2 indicative possibilities of dance the propulsion exercises which are switching on, for example, rocking and pulling, physical buck the voltage. The fifth purpose of dancing therapy it is possible to name "magic circle" (Langer, 1953). Functions of bunch of dancing therapy - teamwork, a play and experiences in rhythmic operations, an experimentation W gestures, postures and movements, nonverbal dialogue with one another - are building of deep formation experience. This experience operating at unconscious level, also is "magic circle" Relationship between driving and reason The main concepts of dancing therapy mirror close relationships between a skew field or, if to SPK more particularly, driving and reason. Dancing therapy bases on an allowance that the fashion and nature of movements mirror our personal singularities. Sort of physical contact in which one we have taken pleasure in infancy, a freedom of movement tested by us when we only started to walk, friends whom we gained, job which one we did, roles which one we played, stresses to which one we stood up to, - all it has influenced our fashion to move (Schmais, 1974). We can learn people how they are propelled. Often happens, that we can learn the acquaintance, not hearing a voice and not C a face, and simply having trapped familiar gesture or a posture. The dancing therapist specially is interested in that, how much and where we are propelled. A primal problem of bunches of dancing therapy is implementation and understanding of spontaneous driving. According to SHilderu: Between muscular succession of power and a release phenomenon (switched on in all indicative movements) and mental installation so close relationships, that not only mental installation is linked to a muscular status, but also each succession of power and a release phenomenon calls specific installation. The specific muscular succession changes inwardness, installations and EVN calls an envisioned situation which one matches to muscular succession (Schilder, 1950, the river 208). Dancing therapy encourages the free, indicative movements contributing in developing of physical movability and force at physical and mental levels. 2 a skew field and reason dancing therapists concern as to a unit. Inclining is key, that if W fluctuation of emotions our senses in relation to themselves and a characteristic skew field analogous process descends and at fluctuation of a fashion and nature of our movements which one mirror features of the person vary.
